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Your selections:
Filmmaking as creative practice: assessing creative magnitude and scale
- Kerrigan, Susan
The spectator in the film-maker: re-framing filmology through creative film-making practices
Screen production enquiry: a study of five Australian doctorates
- Kerrigan, Susan, Berkeley, Leo, Maher, Sean, Sergi, Michael, Wotherspoon, Alison
'Unlearn what you have learned' (Yoda): the critical study of the myth of Star Wars
- McDowell, John C.
Interrogating lesbian pornography: gender, sexual iconography and spectatorship
- Beirne, Rebecca
Trilogy as triptych: John Ford's Cavalry films
- Boyd, David
Peter Weir's The Truman Show and Sartrean freedom
- Falzon, Christopher
The trouble with Rebecca
Faraway, so close? The under-explored relationship between film studies and literary studies
Difficult relations: film studies and continental European philosophy
- Ford, Hamish
Cutting the flow: thinking Psycho
- Schaffer, Bill
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